W1 · Loose wet-on-wet The dusk poured wet into wet: colors charge into each other, blooms and all. Paint lives behind the copy too, with quiet paper saved for reading.
W2 · Storybook ink and wash Her register: the pen line carries the drawing, light color falls a little beside it on purpose. Most of the paper stays paper.
W3 · Granulating desert The gallery register: ultramarine settling into the paper tooth over a warm horizon, dry brush at the ridge. The most grown-up of the four.
W4 · Soft gouache Opaque and matte, the mid-century picture-book register: flat dusty bands, simple clouds, no watercolor texture at all. Shape does the work.
W1b · Same paint, sky only The coverage alternative: W1’s dusk kept above the horizon, bare paper behind the copy. For comparing how far the paint should reach.
The sun face vote Three takes on the same painted sun, W1 paint. Family points at one. No face is also an answer.
1 the round-5 face, kept
2 eyes open
3 sleepier, tinier features
Painted touches Where the paint may touch the interface: the underline and the price chips. Buttons stay crisp on purpose, that split is what keeps it professional.
The wash tint sits inside the chips only. Headline, buttons and forms keep clean edges so the page still reads like a business.
Round 6: the same dusk painted four ways. W1 pours it loose and covers the whole world, paper saved where the words sit. W2 is her storybook: ink line first, color beside it. W3 is the serious gallery wash with real granulation. W4 is opaque gouache, all shape. W1b shows the sky-only coverage for comparison, then the face vote and the painted-UI line. All watch-it-again on scroll. Round 5 · 4 · 3 · 2 · 1.
